Call to Prayer draws its inspiration from the resonant call of the azan at Masjid Jamek, a moment the artist experienced while standing at the Masjid Jamek LRT station in search of inspiration. For Muslims, the azan is a sacred call that transcends the noise of daily life, inviting individuals to pause, reflect, and answer the divine call to prayer.

Masjid Jamek, the first mosque to echo the azan in the heart of Kuala Lumpur, stands as a timeless symbol of faith amidst the hustle of the city. This installation, crafted with meticulous thought and care, intertwines history, faith, and human connection, celebrating the enduring spirit of a community that gathers in harmony.

Butterflies as Symbols

The artist chose butterflies as a symbol of unity. Just as butterflies gather in clusters around blooming flowers, people are drawn together to the mosque when the azan resonates. Butterflies, with their fragile yet graceful beauty, embody harmony, hope, and the collective journey toward enlightenment.

This installation features:

1,909 butterflies: Representing the year Masjid Jamek first opened its doors.

115 silver butterflies: Adorned with intricate Arabesque motifs, these symbolize the mosque’s enduring legacy over 115 years (1909–2024). The motifs celebrate the timeless elegance of Islamic art and the steadfastness of a place that has witnessed generations of worshippers.

Three red butterflies: These stand out as a poignant tribute to a dark chapter in the mosque’s history. They honor the memory of three congregants who lost their lives during the Japanese air raid on September 26, 1941. These butterflies serve as silent yet powerful reminders of sacrifice and resilience etched into the soul of the mosque.

A Reflection of Faith and Community

Call to Prayer is more than an artwork; it is a bridge connecting history, spirituality, and humanity. It invites viewers to reflect on the beauty of faith, the power of community, and the enduring spirit of those who answer the call.